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Frieze #239

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'The ensemble of Ali Cherri’s work grapples with the issues of the artist’s place in a world in crisis' - Wilson Tarbox

For November/December 2023, Frieze enters the conversation on AI with a roundtable discussion between artists, curators and writers on ‘the viability of machine artistry’, accompanied by a gorgeously illustrated essay on Asian American media today and a profile on Lebanese artist Ali Cherri, with a still from his 2022 film The Dam on the cover of this issue.

 

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