In this November/December issue, Hurvin Anderson and Peter Doig discuss Caribbean landscapes and the British imaginary ahead of Tate’s ‘Life Between Islands’ show. And an extended dossier on Black artists working in clay with Theaster Gates who speaks to Allie Biswas; Helen Cammock pens a personal essay about her father; Phoebe Collings-James and Julia Phillips discuss the relationship between clay, their bodies and the world with curator and academic Dr. Jareh Das; and Magdalene Odundo speaks to how travel to Kenya and Nigeria transformed her understanding of ceramics and what it means to be an artist.